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February 28, 2010

Soldering Irons – Beware the $10 iron!

Filed under: Uncategorized — LorinParker @ 1:07 am

tipgunksolder

If you plan on doing soldering regularly, choose an iron appropriately. You do get what you pay for and may find it harder to even learn soldering skill with a $10 iron than with a $17 iron.

As I teach more and more workshops I am amazed at how AWEFUL some of the irons my students bring in are! They heat up, they melt solder, they do work, but they get dirty too quickly and rarely have consistent heat. Within weeks or a month, a shiny iron tip looks like the above tip — which is covered in oxides and burned rosin. That gunk makes the iron frustrating and difficult to use since it will not transfer heat through the gunk and melt solder or even achieve a proper temperature.

I’ll cut to the chase. Radio shack brand soldering irons universally suck. Always have. I admit I had one, and I used it. It made life harder for me and I didn’t know it. It was a mess, the tip was barely alive in a coating of black crust. Furthermore, replacement tips only came in 1 awkward size that continually wobbles on the iron and falls off. Ugg. And they’re still that way…

The alternative? You don’t need to spend $200 or even $50. Weller, a respected brand, has an entry level iron for 13.49 (model SP23-L). I had a similar plug-in Weller that was probably 30 years old and still worked! Now, the “entry level” is not going to be amazing, but it weller has many replacement tips, accessories and a reputation. The next model up is even better…

The best deal I’ve found lately, though are the mid-level xytronics irons. The $8 xytronics iron is pretty awful (tried a few), but the temperature adjustable model is pretty great for the $28 price tag. Usually adjustable irons run $60+.

All electronics sells them online.

http://www.allelectronics.com/make-a-store/item/IR-258/16-30W-VARI-TEMP-SOLDERING-IRON/-/1.html

The same store has the Xytronics soldering station, too for about $70. I bought one for a school lab and was so impressed that I always recommend them for heavy use, unless yo can get a Hakko.

Finally, what do I use? A Hakko936 (about $100). Always loved them, but I do enough soldering to NEED a $100+ iron.

February 20, 2010

3/7/10 – Albuquerque DIY Noise Synth Workshop

Filed under: Uncategorized — LorinParker @ 3:24 am

A SYNTHESIZER WORKSHOP FOR ALL IN ALBUQUERQUE!!!

A totally diy synth! Nice!

Build a simple, versatile noise making analog synth from scratch with me, Lorin Parker. It’s easy enough for the most beginner and interesting enough for veterans too.

Sunday, March 7th & 14th (two classes in this course)

2:00 pm

1016 Coal St. SW Albuquerque

$40 Materials and Tools Fee (ample and necessary parts will be provided with this fee)*

RSVP to 6ick6ick6ick@gmail.com. Enrollment is limited.

*Note: although I do have a good supply of tools for student use, IF students already have the following tools they should bring them: 9V battery, soldering iron, solderless “breadboard”, solder, wire stripper, wire cutter, small needle-nose pliers or hemostat.

Here’s what we’ll do:

Class I:

We’ll play around with batteries, semiconductors, resistors, capacitors, breadboards, soldering irons & all the tools of the trade. We’ll experiment with oscillators (the core noise maker of a synthesizer) and build prototype oscillators as a group. We’ll experiment with controls for pitch, volume and modulation like knobs, joysticks, sensors, touch strips, switches and even optical sensors and switches for theremin-like playing.

We’ll make a lot of variations, noise and circuitry with maximum fun and minimum theory. Everyone will have a hands-on chance to build a working circuit that does something awesome. Then, we’ll examine what exactly we did and infer the theory from there…

With all this knowledge, everyone can plan their own synthesizer / circuit / noisemaker. How is it controlled? How does it sound? What will it be boxed up in? How will it be decorated, etc…

Class II:

With the plans and ideas from class one, everyone will build their own synthesizer. Prior to this class, students can gather extra materials if needed, like decorations and boxes to put the circuits into.

By the end of the class everyone should walk away with a functional “noise synth”. It probably won’t be the next precision instrument to compete with Moog — that’s the only reason I call it a “noise synth”, but it will be a lovely instrument you designed and created.

Please contact me with any questions!
Regards,
Lorin

February 7, 2010

Restoring Electronics — Radios, amps, etc

Filed under: Researcch and News, Uncategorized — LorinParker @ 6:19 pm

I’ve been doing a lot of restoration / repair work lately. Even for those just interested in experimental instruments and synthesizers, a lot can be learned from repairing and restoring radios. Here’s a Zenith trans-oceanic I had in the shop a month ago or so: DSC01779 This one is an 8G005 ..The chassis numbers and components indicate is from 1947. It was brought to me completely inoperable. Here’s what the chassis looks like. I only removed the dial because it needed to be “restrung”.

View of tubes and restrung tuning mechanism

View of tubes and restrung tuning mechanism

REPAIRING THE ELECTRONICS:

So, as with anything I set about carefully examining the electronics. Always LOOK, smell, touch (with power off) before soldering or removing anything. Just one look, and I could see that half the oil containing capacitors were bad.  They looked like swollen paper burritos coated in a little wax & dripping oil. Okay so, I started methodically replacing the capacitors. This is a known first step after checkin basics like safety safety safety (frayed cords, etc). Here you can see half of axial oil caps are replaced with new mylar capacitors:

Some of the capacitors are replaced in this photo...

Some of the capacitors are replaced in this photo...

Yes, this is the way the radio was constructed — point to point wiring. After some coffee and a little practice is starts to make sense, and it is best to wire the replacements in the same manner. Circuit boards were unheard of at this time, and everything I fix from this era and earlier looks similar. Yes, it’s ugly, but it works. Here’s the trick — Take a digital photo at EVERY step. Before you replace anything, after you change one part, etc. This allows you a roadmap for your repair. I used to draw that map, but a digital camera at hand makes it so much easier.

The Blue electrolytic caps are for power filtration. The original electrolytics are the big black round cans mounted on the chassis itself. My Electrolytics are small enough to fit in the 1947 chassis comfortably, especially after replacing some oil capacitors with small mylar capacitors (caps must be rated above 150V!!).

Woah, stop for a second. Transoceanics, and a LOT of tube radios of the time can be more dangerous than taking a bath with a hairdryer if there are specific faults:

#1 — This radio has no power transformer! 110 to 220 volts at 15 amps is present throughout the chassis, and is NOT insulated for your protection. Touch the wrong solder blog and POW! So use a probe and keep your fingers behind the multimeter probe’s metal parts. THERE IS NO ISOLATION, and NO FUSE. ONLY POWER UP THIS TYPE OF DEVICE UNDER TEST WITH AN ISOLATION TRANSFORMER AND A FUSE (1 amp a.g. in this case is good) — a variac wouldn’t hurt either, but the iso transformer is a must must must. I use a Sola brand regulating isolation transformer, which is pricey, but all-electronics can hook you up with a basic one for less.

#2 — The metal chassis is HOT — that means that a live current is designed to flow through it. This may seem strange now, but it makes sense for the era. Due to the war, there was not much steel, so transformers were expensive. Instead, designers used vacuum tubes with 115 V heaters to rectify wall current. The resultant designs, which also accepted batteries, had “hot” chassis, so the answer was to seperate the useful high voltage from the chassis with a capacitor, keeping the chassis at only about 1v DC with little current. The designers also placed the chassis inside a wooden case, far enough from fingers to do potential harm, and usually coated with non-conductive paint. However, if that single .47uF Capacitor keeping 100V DC away from the chassis shorts, one could get a shock. I replace it with a UL or CE certified capacitor, like those in good switching power supplies.

A square, grey UL/CE power supply cap is used for safety...

A square, grey UL/CE power supply cap is used for safety...

I also added a fuse to this radio to protect the electronics and the user. It’s simple to fit a holder just inside the chassis and wire it between the hot wire and the power switch.

After all the work and 1 replaced tube, this radio outperforms most Transoceanics I have repaired to date. This is a great model — tough and robust. The loctal tubes work well and last a long time, usually not needing replacement.

Finally, this is intended as an overview of what I do, and maybe to give some insights for savvy experimenters. I encourage you to enter the world of radio tinkering, but don’t do it without reading up and making sure you have the right tools.

If you want me to take a look at your vintage electronics or do restoration work for you, contact me through this website! I love doing this sort of work and take great pride in the results. These in-between pictures show some ugly nuts and bolts, but the finished restoration is a thing of beauty.

The first…

Filed under: Uncategorized — LorinParker @ 5:20 pm
The first few items unloaded into the albuquerque factory space...

The first few items unloaded into the albuquerque factory space...

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